{"id":8,"date":"2018-12-06T04:09:19","date_gmt":"2018-12-06T04:09:19","guid":{"rendered":"http:\/\/lodosgallery.info\/wordpress\/index.php\/press\/"},"modified":"2025-06-25T11:01:19","modified_gmt":"2025-06-25T11:01:19","slug":"press","status":"publish","type":"page","link":"https:\/\/lodosgallery.info\/es\/press\/","title":{"rendered":"Press"},"content":{"rendered":"

Disculpa, pero esta entrada est\u00e1 disponible s\u00f3lo en En<\/a>. For the sake of viewer convenience, the content is shown below in the alternative language. You may click the link to switch the active language.<\/p>

Impulse Magazine, \u00abRam\u00f3n Saturnino: Aqu\u00ed no es as\u00ed\u00bb, By Lodoe Laura, April 22, 2025.<\/a><\/p>\n

Contemporary Art Daily, \u00abSamuel Guerrero at Lodos\u00bb, March 5, 2025.<\/a><\/p>\n

Onda Mx, \u00abHiperpar\u00e9ntesis. Samuel Guerrero en Lodos\u00bb, By Juli\u00e1n Madero Islas, February 20, 2025.<\/a><\/p>\n

Art News, \u00abRising Mexican Artists and Dealers Impress During Mexico City Art Week\u00bb, By Harrison Jacobs, February 10, 2025.<\/a><\/p>\n

The Art Newspaper, \u00bb At Mexico City’s Material and Sal\u00f3n Acme, artist go out on a limb\u00bb, By Benjamin Sutton, February 8, 2025.<\/a><\/p>\n

Observer, \u00abFeria Material opens to enthusiastic crowds\u00bb, By Elisa Carollo, February 7, 2025.\u00bb<\/a><\/p>\n

Elephant.art, \u00abWhat Newton Knows About the Impermanence of the Flesh: El Muerto at Lodos\u00bb, By Fabiola Talavera, March 7, 2024.<\/a><\/p>\n

Artishock, \u00abNewton, un indecente jove escultor\u00bb, By Jes\u00fas Toravilla, February 13, 2024.<\/a><\/p>\n

ArtNews, \u00abThe Best Booths at Mexico City’s Material Art Fair\u00bb, By Maximil\u00edano Dur\u00f3n, February 9, 2024.<\/a><\/p>\n

ArtNews, \u00ab5 Shows to See in Mexico City This Week during Zona Maco\u00bb, By Kim Cord\u00f3va, February 6, 2024.<\/a><\/p>\n

ArtReview, \u00abLaura Langer’s Human Puzzles\u00bb, By Gaby Cepeda, January 23, 2024.<\/a><\/p>\n

Contemporary Art Daily, \u00abNoah Barker at Lodos\u00bb, December 16, 2023.<\/a><\/p>\n

Num\u00e9ro. \u00abLes \u0153uvres d’art immanquables de la foire Paris Internationale: Emanuele Marcuccio\u00bb, By Matthieu Jaquet, October 20, 2023.<\/a><\/p>\n

Artnews. \u00abThe Best Booths at Paris Internationale: Emanuele Marcuccio at Lodos\u00bb, By Maximil\u00edano Dur\u00f3n, October 18, 2023.<\/a><\/p>\n

Artnews. \u00abBest Booths at Liste: Mina Squalli-Houss\u00e4ini at Lodos\u00bb, By Maximil\u00edano Dur\u00f3n, June 13, 2023.<\/a><\/p>\n

Onda Mx. \u00abMina Squalli-Houssa\u00efni\u00bb, By Verana Codina, May 29, 2023.<\/a><\/p>\n

Frieze.com \u00abWhat to See During Mexico City’s Art Week: Berenice Olmedo\u00bb, By Gaby Cepeda, February 9, 2023.<\/a><\/p>\n

032c. \u00abAnna-Sophie Berger: The Failed Desires Index: Tiny Skirts and Bigger Belts\u00bb, By Claire Koron Elat, January 31, 2023.<\/a><\/p>\n

Contemporary Art Daily, \u00abAnna-Sophie Berger at Lodos\u00bb, January 11, 2023.<\/a><\/p>\n

Art Agenda. \u00abMexico City Roundup: Emanuele Marcuccio Dream pop\u00bb, By Gaby Cepeda, October 25, 2022.<\/a><\/p>\n

MousseMagazine.it \u00abEmanuele Marcuccio ‘Dream pop’ at Lodos, Mexico City. October 13, 2022.<\/a><\/p>\n

Frieze.com. \u00abWhat to See During Mexico City’s Art Week: Sofia Berakha\u00bb, By Anna Goetz, February 9, 2022.<\/a><\/p>\n

Contemporary Art Daily, \u00bb sala-jard\u00edn-bar: The Things We Make at Lodos\u00bb, September 14, 2021.<\/a><\/p>\n

Contemporary Art Daily, \u00bb sala-jard\u00edn-bar: I Believe in God, Only I Call It Nature at Lodos\u00bb, August 14, 2021.<\/a><\/p>\n

Spike Art Magazine, \u00abViews: Work, Friendship, Party: Samuel Guerrero at Lodos\u00bb By Gaby Cepeda, #68, Patriarchy, Summer 2021.<\/a><\/p>\n

Contemporary Art Daily, \u00abCuerpos at Lodos\u00bb, September 30, 2020.<\/a><\/p>\n

Art Agenda, \u00abMexico City roundup\u00bb, By Terence Trouillot, February 27, 2020.<\/a><\/p>\n

The Art Newspaper, \u00abMexico City’s galleries overcome growing pains as the city’s art scene booms\u00bb, By Paul Biasco, February 6, 2020.<\/a><\/p>\n

Mousse Magazine, \u00abAbout the Distinction between Crutches and Chains: Berenice Olmedo\u00bb, By Anna Goetz, Mousse 70 Winter 2020.<\/a><\/p>\n

Relieve Contempor\u00e1neo, \u00abBerenice Olmedo en Lodos\u00bb, January, 2020.<\/a><\/p>\n

Vogue M\u00e9xico, \u00abTerritorio en ebullici\u00f3n\u00bb, December 2019.<\/a><\/p>\n

The Los Angeles Review of Books, \u00abBuildings\u00bb, September, 2019.<\/a><\/p>\n

Contemporary Art Daily, \u00abBuildings at Lodos\u00bb, September 6, 2019.<\/a><\/p>\n

Frieze, \u00abThe Shows to See in Mexico City During Gallery Weekend: Buildings\u00bb, By Magal\u00ed Arriola, September 5, 2019.<\/a><\/p>\n

Proceso, \u00abConstrucciones, en la Galer\u00eda Lodos\u00bb, By Blanca Gonz\u00e1lez Rosas, August 25, 2019.<\/a><\/p>\n

Artforum, \u00abCritic’s Pick Rosa Aiello at Lodos\u00bb, By Hiji Nam, June 2019.\u00a0<\/a><\/p>\n

Contemporary Art Daily, \u00abRosa Aiello at Lodos\u00bb, June 15, 2019.<\/a><\/p>\n

Reportaje, \u00abSeduction\u00bb (Rosa Aiello), By Jacob Wick, May 22, 2019.<\/a><\/p>\n

LaTempestad.mx, \u00abPresente de las artes en M\u00e9xico…Nuevo manifiesto de cine mexicano\u00bb, December 11, 2018.<\/a><\/p>\n

Local, \u00abLa exposici\u00f3n en pedacitos…\u00bb, October 22, 2018.<\/a><\/p>\n

Frieze Magazine, \u00abElsa-Louise Manceaux Review\u00bb, October Issue, 2018.<\/a><\/p>\n

ARTnews, \u00abStranger Things: A Ghostly Fog of Mysticism…\u00bb By Gaby Cepeda, June 27, 2018.<\/a><\/p>\n

DNA Magazine, \u00abDesiluminaciones\u00bb By Susana Vargas, June 1, 2018.<\/a><\/p>\n

Excelsior, \u00abLa pintura desiluminada\u00bb, <\/em>By Sonia \u00c1vila, May 29, 2018.<\/a><\/p>\n

Contemporary Art Writing Daily, \u00abOa4s at Lodos\u00bb, March 21, 2018<\/a><\/p>\n

Contemporary Art Daily, \u00abOa4s at Lodos\u00bb, March 21, 2018.<\/a><\/p>\n

Elephant, \u00abAn Elephant in Mexico City\u00bb, By Devon Van Houten-Maldonado, February 11, 2018.<\/a><\/p>\n

Frieze.com, \u00bb Critic’s Guide: Mexico City, Oa4s\u00bb, By Magal\u00ed Ariola, February 7, 2018.<\/a><\/p>\n

Frieze.com, \u00abLooking Back 2017: Europe and Beyond\u00bb, By Samuel Leuenberger, December 7, 2017.<\/a><\/p>\n

El Financiero, \u00abDe c\u00f3mo contar una historia\u00bb, By Patricia Mart\u00edn, October 26, 2017.<\/a><\/p>\n

MousseMagazine.it, \u00abLewis Teague Wright, Urchin\u00bb, July 31, 2017.<\/a><\/p>\n

this is tomorrow, \u00abKasia Fudakowski: Bad Basket’, By Henry Osman, March, 17, 2017.<\/a><\/p>\n

MousseMagazine.it, \u00abKasia Fudakowski, BAD BASKET.\u00bb, March 15, 2017.<\/a><\/p>\n

Artforum International Magazine, \u00abMexico City Reviews, Se nos cay\u00f3 el teatro.\u00bb By Anna Goetz, March 2017.<\/a><\/p>\n

Artspace.com, \u00bb Video Art Reigns at Mexico City’s Material Art Fair 2017″, By Loney Abrams, Feb. 12, 2017.<\/a><\/p>\n

El Financiero, \u00abUna corcholata, un triciclo rosa y unas crepas\u00bb, By Patricia Mart\u00edn, January 12, 2017.<\/a><\/p>\n

O Fluxo, \u00abMichael Debatty and Noah Barker presented by Exo Exo and Lodos\u00bb, June, 2016.<\/a><\/p>\n

Hyperallergic, \u00abFinding a Spiritual Haven in Digital Culture\u00bb, By Devon Van Houten Maldonado, March 30, 2016.<\/a><\/p>\n

MousseMagazine.it, \u00abKorakrit Arunanondchai ‘Dear Chantri,..’ at Lodos\u00bb, March 20, 2016.<\/a><\/p>\n

The New York Times, \u00abArt Scene Thrives on the Edges in Mexico City\u00bb By Elisabeth Malkin, March 11, 2016.<\/a><\/p>\n

Excelsior, \u00abArtista visto como dron\u00bb By Sandra S\u00e1nchez, March, 3, 2016.<\/a><\/p>\n

this is tomorrow, \u00abKorakrit Arunanondchai\u00bb February 28, 2016.<\/a><\/p>\n

Frieze.com, \u00abCritics guide: Mexico City, Korkakrit Arunanondchai\u00bb By Evan Moffit, February 26, 2016.<\/a><\/p>\n

aqnb.com. \u00abMaterial Art Fair 2016 Reviewed\u00bb February 25, 2016.<\/a><\/p>\n

aqnb.com, \u00abPleasing Suspension : Dave Miko, On some future\u00bb February 23, 2016.<\/a><\/p>\n

Art News, \u00abWater from the Nile <\/em>at Lodos Gallery\u00bb, January 26, 2016.<\/a><\/p>\n

Terremoto, \u00abArt Basel Miami Beach Art Week 2015\u00bb By Doroth\u00e9e Dupuis, December 16, 2015.<\/a><\/p>\n

Everything Solid, \u00abA Mexican Opaque\u00bb By Christian Camacho, December 10, 2015.<\/a><\/p>\n

Nylon, \u00ab10 artists that thrilled us at NADA Miami Beach\u00bb By Ella Plevin, December 10, 2015.<\/a><\/p>\n

Flash Art International, \u00abFrancisco Cordero-Oceguera on Lodos Mexico City\u00bb By Claudio Iglesias, no 305.<\/a><\/p>\n

Dazed, \u00abThe artists bringing the heat to Art Basel Miami\u00bb By Nick Hackworth, December 3, 2015.<\/a><\/p>\n

Excelsior, \u00abDave Miko, En alg\u00fan futuro\u00bb By Sandra S\u00e1nchez, October 13, 2015.<\/a><\/p>\n

Spike Art Quarterly, \u00abViews: k.i.b and The Shabaka Stone\u00bb By Chris Sharp, #45 Autumn 2015.<\/p>\n

Flash Art International, \u00abInternational Currency\u00bb By Doroth\u00e9e Dupuis, July 24, 2015.<\/a><\/p>\n

Bad at Sports, \u00abEconomies of Resignation\u00bb By Jacob Wick, June 19, 2015.<\/a><\/p>\n

this is tomorrow, \u00abInternational Currency, Mexico City\u00bb May 24, 2015.<\/a><\/p>\n

Hotbook, \u00abLodos: entrevista a Francisco Cordero-Oceguera\u00bb By Carla Fern\u00e1ndez, March 2015.<\/a><\/p>\n

TANK Magazine, \u00abCurated pages.\u00bb By Gabriela J\u00e1uregui, Volume 8, Issue 3, 2015.<\/a><\/p>\n

Animal, \u00abLodos\u00bb By Allegra Cordero di Montezemolo, Numero 17, Primavera 2015.<\/a><\/p>\n

aqnb, \u00abLocate the horror\u00bb, February 4, 2015.<\/a><\/p>\n

Art Viewer, \u00abFuture Archives at Lodos\u00bb, December 29, 2014.<\/a><\/p>\n

i-D, \u00ablodos y el arte del di\u00e1logo \u00fanico.\u00bb By Cheryl Santos, December 26, 2014.<\/a><\/p>\n

Art Viewer, \u00abYesterday at Lodos\u00bb, December 24, 2014.<\/a><\/p>\n

Flash Art International, \u00abRenaud Jerez, lodos\/Mexico City\u00bb By Attilia Fattori Franchini, November\/December, 2014.<\/a><\/p>\n

Revista C\u00f3digo, \u00abDiez espacios de arte independientes en la ciudad de M\u00e9xico\u00bb November 20, 2014.<\/a><\/p>\n

El Pa\u00eds, Babelia, \u00abArte mexicano en erupci\u00f3n.\u00bb By Pablo De Llano, October 18, 2014.<\/a><\/p>\n

MousseMagazine.it, \u00abRenaud Jerez \u201cYesterday\u201d at Lodos, Mexico City.\u00bb October 4, 2014.<\/a><\/p>\n

aqnb, \u00abThe contemporary vanit\u00e9.\u00bb August 28, 2014.<\/a><\/p>\n

aqnb, \u00abA footprint tells nothing at all of its foot.\u00bb August 13, 2014.<\/a><\/p>\n

Kaleidoscope, \u00abStop By, San Rafael Mexico City.\u00bb By Doroth\u00e9e Dupuis, July 15, 2014.<\/a><\/p>\n

C\u00f3digo, \u00abColectivos art\u00edsticos en la ciudad de M\u00e9xico: un panorama.\u00bb By Viviana Mart\u00ednez, June 19, 2014.<\/a><\/p>\n

Letras Expl\u00edcitas, \u00abDe perrito sale la jirafa. Special Features, Oa4s.\u00bb By Daniel Aguilar Ruvalcalba, May 26, 2014.<\/a><\/p>\n

aqnb, \u00abSigh some sand away.\u00bb May 21, 2014.<\/a><\/p>\n

Ca\u00edn, \u00abUSB’s Varios artistas.\u00bb By Brenda J. Caro Cocotle, May-June, 2014.<\/a><\/p>\n

Metropolis M, \u00abOnafhankelijk Mexico.\u00bb By Irene De Craen, April-May, 2014.<\/a><\/p>\n

L’Officiel Art, \u00abArt et syst\u00e9me d \u00e1 Mexico.\u00bb By Franklin Melendez., March, April, May, 2014.<\/p>\n

Terremoto.mx, \u00abAnother Name For Liar featured.\u00bb March, 2014.<\/a><\/p>\n

Bad at Sports, \u00abWhat’s the T? Edition #24- M\u00e9xico, DF.\u00bb by Dana B., February 17, 2014.<\/a><\/p>\n

aqnb, \u00abAre You Thinking About Atlantis?: Waterworld\u00bb February 14, 2014.<\/a><\/p>\n

Bpigs, \u00abMaterial Art Fair 2014.\u00bb by D\u00e9bora Delmar, February 13, 2014.<\/a><\/p>\n

Fant\u00e1stico Cotidiano, \u00abLodos Contempor\u00e1neo in Material Fair.\u00bb February 7, 2014.<\/a><\/p>\n

SocietePerrier.com, \u00bb 5 Projects Not To Miss During Material Art Fair.\u00bb February 5, 2014.<\/a><\/p>\n

Excelsior, \u00abExtendien Feria de Arte en la capital del pa\u00eds.\u00bb February 2, 2014.<\/a><\/p>\n

SocietePerrier.com, \u00bb Daniela Elbahara’s 5 Recommendations.\u00bb January 30, 2014.<\/a><\/p>\n

Terremoto.mx, \u00abAlongside::D,A,K,A feature.\u00bb January 13, 2014.<\/a><\/p>\n

Glasstire, \u00abMexico City…por primera vez.\u00bb by Lauren Moya Ford, December 10, 2013.<\/a><\/p>\n

Bad at Sports, \u00abWhat’s the T? by Dana B\u00bb, May 28, 2013.<\/a><\/p>\n

Chicago Artist Writers, \u00abKirk Faber’s Paintings reviewed\u00bb, by Jais Gossman. February 21, 2013.<\/a><\/p>\n

NewCity Art, \u00abAnnie Bielski & Molly Welsh reviewed\u00bb. by Sofia Leiby. January 22, 2013.<\/a><\/p>\n\n\n

<\/p>\n\n\n\n

<\/p>","protected":false},"excerpt":{"rendered":"

Disculpa, pero esta entrada est\u00e1 disponible s\u00f3lo en En. For the sake of viewer convenience, the content is shown below in the alternative language. You may click the link to switch the active language. Impulse Magazine, \u00abRam\u00f3n Saturnino: Aqu\u00ed no es as\u00ed\u00bb, By Lodoe Laura, April 22, 2025. Contemporary Art Daily, \u00abSamuel Guerrero at Lodos\u00bb, […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-8","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/lodosgallery.info\/es\/wp-json\/wp\/v2\/pages\/8","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/lodosgallery.info\/es\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/lodosgallery.info\/es\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/lodosgallery.info\/es\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/lodosgallery.info\/es\/wp-json\/wp\/v2\/comments?post=8"}],"version-history":[{"count":5,"href":"https:\/\/lodosgallery.info\/es\/wp-json\/wp\/v2\/pages\/8\/revisions"}],"predecessor-version":[{"id":3288,"href":"https:\/\/lodosgallery.info\/es\/wp-json\/wp\/v2\/pages\/8\/revisions\/3288"}],"wp:attachment":[{"href":"https:\/\/lodosgallery.info\/es\/wp-json\/wp\/v2\/media?parent=8"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}